If you’ve just started reading this month’s MMF then I would suggest reading my brief overview of the series beforehand as I explain the setup of the books. Also, if you’d like more information on volumes 1-4 or 5-8, please see my reviews of them.
And as I reach the end of the available volumes of Kurosagi, I’m sitting here, wondering what exactly have I learned from this batch? Well, it’s for certain that our heroes have settled into their roles and the situations they find themselves in. When the gang help a local cop in a coastal town solve a series of crimes and the inevitable massacre of the bad guy at the heart of the matter, they advise him to not write up what he just witnessed. Before, they would have avoided working with the police for fear of what the police would ask of them. Here, they are pretty laid back about it all. Another thing that surfaces is the back stories of both Numata and Makino. Makino’s is only really told as a side piece and Numata’s is kinda bleak. But like the others, they share a similar thread in that the key that holds all the kids together is that they all lost their families when they were young. Sasaki even mentioned the fact to Sasayama that he seems to bring together people with this type of background. But maybe Otsuka is speaking through Sasayama when he replies to her that she’s reading too much into it. Is it a coincidence or not? It’s not told at this point. Also, the eleventh volume’s bulk is taken up by one of the better continuous arcs. The story starts off with a simple idea of a girl who carries a boxcutter around and ends with a paedophile’s psychic essense being devoured by a giant mental projection of a marsupial. Yeah, it’s that wicked.
Other things they tackle in these volumes are the pop idol who’s a complete bitch in real life, an invisible man corpse (no, that’s really what happens), a VR/Second Life and a side story about a couple of kids who find each other only to have tragedy strike. In many ways, the scenarios on display here hark back to the days of pulp sci-fi where the idea on display didn’t necessarily have to involve big things. The hook is all you need. So, if they want us believe that there’s a guy cycling round zapping everyone who recently died so they can finish up their affairs, OK, I’ll buy it. Otsuka and Yamazaki make their creations relatable rather than believable. This distinction is important: if they were believable then you’d be asking yourself why is raising the dead to help put their affairs in order, believable? Relatable makes them seems like you could know them, have lunch with them, go shopping with them, etc. On the flip side of things, the concept behind the books has to be believable rather than relatable. Seriously, if you knew that raising the dead was the same as going through a customer query with a customer in McDonalds, then it kind of takes away the mystique of the whole thing, no? But if you knew that while the idea is far fetched, if the authors present the facts of the case in, at least, a scientific way then you’re in and it would take a serious jumping of the shark for you to un-buy the idea.
One thing, and it’s a minor thing that my screenwriting cap won’t let me let go of, is that after twelve volumes, only one other person has outright mentioned that they knew of the Kurosagi Corpse Delivery Service and what they do. Now two other groups, The Nire Company and the Shirogani Service knew about them but they work in the other industry so it’s logical that they should know about them. But this is the 21st Century, for pity’s sake, something like the KCDS should be, I dunno, public knowledge. If not on a public level, then the internet should be awash with people asking questions about them. Yes, I know, Japanese culture values privacy but still the chatrooms should have said something by now. It’s the only niggling point I can find with the whole setup of the books.
Finally, I’ve learned that horror can be fun as well as scary. As I’ve said before, there’s an almost EC Comics/Twilight Zone sense of irony at work here. People who have had their dead face ripped off for profit, only want to shag the person who betrayed them, dripping blood and all. Drug runners who use Chinese and Korean drug mules to make drops using the sea is dragged to the beach and out of sea. And so on. At this stage, I look forward to the hammer falling on these edjits as much as the chapter’s setup and execution.
Kurosagi Corpse Delivery Service continues to go from strength to strength, building the mythos behind its characters, expanding its scope and delving deeper into the whole idea of death and how you deal with it once it happens to you. As long as we continue to buy, enjoy and pass on this series as recommendation to our friends and fellow Netizens then I’m pretty sure we stand a fair chance in seeing it to the end. I commend these volumes to you in the hopes that you too will read them and come up with your own likes and dislikes about it. Let me know, eh?